Mots de Tête Compagnie 是由 Nancy Rusek 與 Éric de Sarria 共同領導的法國協會，致力傳承保護並更新 Philippe Genty 與 Mary Underwood 的偶劇教學體系。

劇團與另一個名為「Plateforme Cache-Halo」的團隊共同發展自己的藝術計劃，同時與藝術、教育及/或社會領域的其他協會合作，在法國及國際間推展項目。劇團亦創作與視覺劇場、物件劇場（無文本或有文本）及偶戲相關的作品。

Éric de Sarria 與其他劇團合作，參與導演及編劇工作。

Nancy Rusek 是教師、培訓導師、舞者及費登奎斯方法執業者，亦以編舞及舞台導演身分與其他劇團合作。

Nancy Rusek 亦在法國多所重要機構主持工作坊及培訓課程，包括位於 Charleville-Mézières 的 ESNAM、位於 Châlons-en-Champagne 的 CNAC，以及由New Magic的Raphaël Navarro開設的「Écritures Magiques」培訓課程。

Mots de Tête Compagnie is a French association co-directed by Nancy Rusek and Eric de Sarria. It works to transmit, preserve, and update the pedagogical legacy of Philippe Genty and Mary Underwood.

The company develops its own artistic projects with their other company named “Plateforme Cache-Halo”, also in collaboration with other associations in the artistic, educational, and/or social fields, both in France and internationally. It also creates its own performances, linked to Visual Theater, object theatre (without or with texte) and puppetry.

Éric de Sarria collaborates with other companies in directing and writing.

Nancy Rusek is a teacher, trainer, dancer, and Feldenkrais practitioner. She also collaborates with other companies as a choreographer and stage director.

Nancy Rusek also leads workshops and training sessions within big French institutions such as the ESNAM in Charleville-Mézières and CNAC in Châlons-en-Champagne, including the “Écritures Magiques” training program by Raphaël Navarro, New Magic.

無獨有偶工作室劇團創立於1999年，秉持「無物不成偶」的創作觀點，演出形式涵蓋手套偶、懸絲偶、杖頭偶、執頭偶、光影劇場與人偶同台，以精緻製偶工藝與詩意演繹，開創獨特劇場敘事手法。作品多次入圍台新藝術獎，為臺灣最具代表性的當代偶戲團隊。

Founded in 1999, The Puppet & Its Double Theatre’s mission is to create challenging and innovative Puppet Arts that touches the heart and mind. Adhering to the creative principle of “everything can be a puppet”, the company creates a new style for contemporary Taiwanese Puppet Arts, as well as an aesthetic imbued with magic and philosophy.

Pantzart 是一個親子劇場與物件劇場團隊，擅長把日常生活轉化為非凡體驗。透過紙板場景和豐富的想像力，我們與觀眾一起遊戲、重複和探索，創造充滿生命力的互動體驗與故事。

我們的靈感來自巴斯克文學、微小事物的詩意，以及在舞台上重獲嶄新「自豪感」的舊物。每部作品都是物質與幻想之間的對話，由此孕育出生動、親密而令人驚喜的劇場。

劇團由擁有閃亮目光的 Elena Bezanilla、總是健談的演員 Ainhoa Pineda、帶著豐富音色的偶師 Santiago Ortega，以及難以言喻、總是不停塗寫的戲偶 Boli 組成。Arantza Flores 以燈光照亮作品，而 Jose Antonio Gutiérrez（“Guti”）的影像則為每場演出增添魔法與幽默。

Pantzart is a family and object theater company that transforms everyday life into something extraordinary. With cardboard scenarios and much imagination, we play games, repetitions and explorations together with the public, creating interactive experiences and stories full of life.

Our inspirations are the basque literature, the poetry of the little things and the used objects that create a new “pride” in the scenario. Each work is a dialogue between material and fantasy, giving rise to a lively, intimate and surprising theatre.

The company is formed by Elena Bezanilla with her dazzeld look, actresses like Ainhoa Pineda, always talkative, the marionetist Santiago Ortega with his rattle of tonalities; and the ineffable Boli, a puppet that scribbles non-stop. Also Arantza Flores illuminates us with her lights and the snapshots of Jose Antonio Gutiérrez, “Guti”, contribute with magic and humor to every show.

喔劇團——「喔」字源於粵語，音讀 ak1、o1，有表示理解與省悟之意。劇團由一群熱愛戲劇的人士共同發起，以實驗性創作為核心，專研精品劇目，專注偶劇創作，涵蓋光影偶、大偶等形式。作品屢獲烏鎮戲劇節、蛇口戲劇節、海上絲綢之路國際木偶節等國際邀約，致力於為觀眾帶來別開生面的創意劇場，打開想像力與創作力。

WOW Theatre takes its name from the Cantonese word “喔”, pronounced ak1 or o1, which conveys a sense of understanding and realization. Founded by a group of theatre enthusiasts, the company places experimental creation at its core, developing high-quality productions with a focus on puppetry in forms including light-and-shadow puppetry and large-scale puppets. Its works have received invitations from the Wuzhen Theatre Festival, Shekou Theatre Festival, Maritime Silk Road International Puppetry Festival, and other international events. The company is committed to bringing audiences distinctive and imaginative theatre that opens up creativity and imagination.

「新物種」，代表我們創新和探索的特質；團隊以戲劇創作為主要載體，將我們的創作理念和實驗精神注入到多元化的藝術形式當中。

我們探索並挖掘藝術作品的多種可能性，透過專業且獨特的「戲劇實驗」方式進行創作，致力於打造讓人耳目一新、前所未見的作品，造就出一隻屬於藝術舞台中的「新生物種」。

團隊座標廣東深圳，集結粵港澳大灣區的特色文化資源與優秀的戲劇人才力量，不斷吸納學習，力求將屬於自己的文化風格廣泛傳播。

劇團成員及作品曾獲得國家藝術基金、田漢戲劇獎、廣東省花會、「鵬城金秋」、深圳（寶安）木偶藝術節等多個獎項；並曾受邀參加國內外知名戲劇節、藝術節、節目錄製等活動，如：烏鎮戲劇節、上海國際藝術節、法國阿維尼翁戲劇節、新加坡華文小劇場藝術節、全國小劇場優秀劇目展演、國家話劇院原創劇目邀請展、中央廣播電視總台、廣東衛視等。

“New Species” represents our spirit of innovation and exploration. Theatre-making is the team’s primary creative medium, through which we bring our artistic ideas and experimental approach into a diverse range of art forms.

We explore and uncover the many possibilities of artistic work through a professional and distinctive process of “theatrical experimentation”. We are committed to creating fresh, unprecedented works and bringing a “new species” to the artistic stage.

Based in Shenzhen, Guangdong, the team brings together the Greater Bay Area’s distinctive cultural resources and outstanding theatre talent. Through continuous learning and exchange, we strive to share our own cultural style with wider audiences.

The company’s members and productions have received recognition from the China National Arts Fund, Tian Han Drama Awards, Guangdong Provincial Arts Festival, “Pengcheng Golden Autumn”, Shenzhen (Bao’an) Puppetry Festival, and other programmes. They have also been invited to major theatre festivals, arts festivals, and broadcast productions in China and abroad, including the Wuzhen Theatre Festival, China Shanghai International Arts Festival, Festival d’Avignon, Singapore Chinese-language Black Box Theatre Festival, National Showcase of Outstanding Small-Theatre Productions, National Theatre of China Original Productions Invitational, China Media Group, and Guangdong Satellite TV.

將偶戲與藝穗演出帶到香港及世界各地。

Bringing puppetry and fringe shows to Hong Kong and beyond.

生發明亮，吉慶福祥也就自然降臨了。這與我們表演理念暗合，也是我們成團的美好願望。

2018年9月11日，生白劇場 SBT 成立。我們以多元、實驗、即興為創作精神，專注於對戲劇藝術內容及劇場形式的實驗和探索。我們以「劇場」之名，關注「人」，發掘身邊的人文精神，希望創造一個可以聚集、容納大家的表達和呈現並以此為連結的場域，期待讓更多藝術形式在此實驗、碰撞、發生，也期望讓更多的人走進劇場。

我們以「辦一個五十年保持活力及受人尊重的劇團」為目標，以「演繹夢想、培育夢想、傳遞夢想、實現夢想」為劇場使命，致力於開發優質的劇場內容，以「劇場+」為概念，搭建社區—劇院的劇場鏈路，讓戲劇能走進更多人的生活，讓更多人了解並走近戲劇，了解戲劇藝術的魅力。

The name “Shengbai” of Shengbai Theatre is derived from Zhuangzi: The Human World, which states, “Gazing at the empty space, brightness emerges from the void room, and auspiciousness arrives continuously.” A pure and peaceful mind naturally gives birth to clarity, and good fortune follows—this aligns with our performance philosophy and embodies the beautiful aspiration behind our troupe’s founding.

KHWOSHCH 是一個由捷克、俄羅斯及德國藝術家組成的劇團，主要活動於布拉格與柏林之間。

劇團以偶劇與音樂實驗為主要創作方向，採用集體創作（devised theatre）的方式，並從不同形式的表演藝術及後戲劇劇場中汲取靈感。透過融合不同類型、風格及媒介，成員結合各自的藝術語言，創作出獨特而多元的作品。

劇團於2020年在布拉格成立，源於創作《DINOPERA》——一部以史前生物及恐龍為主要角色的悲劇偶劇歌劇。創團成員包括 Daria Gosteva、Frieda Gawenda、Mathias Baresel 及 Josef Bobeš Havelka。此後的不同創作亦吸引了新的藝術家加入，不論是短期合作或長期參與，每位藝術家都為 KHWOSHCH 留下獨特的創作印記。

KHWOSHCH 經常於捷克及德國演出，亦曾參與歐洲不同地區的藝術節及舞台演出。

KHWOSHCH is a Czech-Russian-German theatre group based between Prague and Berlin.

With their main passion for puppetry and musical experiment, the group practices a devised theatre approach and finds inspiration in various kinds of performative art and postdramatic theatre. Mixing different genres, styles and media, they bring together their artistic languages and create unique and eclectic pieces.

The group was established in 2020 in Prague during the creation of DINOPERA, a tragic puppet opera with prehistoric creatures and dinosaurs in the main roles. Founding members are Daria Gosteva, Frieda Gawenda, Mathias Baresel and Josef Bobeš Havelka. Further projects brought new congenial artists, each leaving a unique imprint on KHWOSHCH.

The group performs widely in Czechia and Germany and has also travelled to various festivals and stages around Europe.

荔香學校木偶劇團成立於2025年，是以杖頭木偶為核心學習內容的校園特色藝術社團。劇團成員由三至五年級在校學生組成，常規團員人數約20人。

社團日常開展杖頭木偶操縱基本功訓練，學習人偶配合、肢體演繹、台詞表達等技能。學生在反覆練習中掌握操控技巧，賦予木偶靈動生命力。劇團堅持以美育傳承傳統民間藝術，定期排練劇目，積極參與校園展演活動。

劇團旨在豐富學生課餘生活，培養孩子們的專注力、協作能力與審美素養，讓少年學子近距離感受木偶戲的獨特魅力，推動傳統木偶藝術在校園扎根生長。

Founded in 2025, Lixiang School Puppet Club is a distinctive campus arts club centred on the study of rod puppetry. Its members are students in Grades 3 to 5, with approximately 20 regular club members.

The club provides regular training in the fundamentals of rod-puppet manipulation, including coordination between performer and puppet, physical performance, and vocal delivery. Through repeated practice, students develop their manipulation skills and bring the puppets vividly to life. Committed to passing on traditional folk arts through arts education, the club rehearses productions regularly and actively participates in school performances.

The club aims to enrich students’ lives beyond the classroom while developing concentration, collaboration, and aesthetic awareness. It gives young students the opportunity to experience the distinctive appeal of puppetry at close range and helps traditional puppet arts take root and grow on campus.